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The Dreams by Mabel Forrest

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You thought it was the lapping of the tide
Where out by Garden Reach the long ships ride?

But I knew.
When the dawning drew the curtains of the East,
And the chattering birds were rousing to their feast,
And the waters by the dew-grey banks hung slack,
What you heard was just the Night Dreams slipping back.

From the big red house with blind eyes to the Quay,
From the damp green garden, where the canna burns.
Where the morn wind wrinkles on the spreading ferns,
And woos the boughs with wizard minstlelsy,
They are gliding to the hidden water ways;
Little White Dream, with a taper in her hand,
Pale, blurred vision you must wake to understand.
Tiny, tuneful one that round the heart-strings plays --
They are marshalling at every bedroom door;
They are stealing from the shadows of the hall,
They are answering the river's warning call,
They are pattering on the silent chamber floor,
"Come away!" the river cries, "for dawn is here;
And the working world would gibe at you by day;
Set your fragile feet upon the tidalway;
Bathe your bodies where the wave curl washes clear."

Past the fig trees clustered on the river's edge,
Past the homeless ones who shiver at the dawn,
Past the carex grouping on the graded lawn,
Past the honeysuckle, trailing from the hedge;
Past the sachet-scented frangipanni blooms,
Out across the furrowed road and dusty street;
Past the weeping figs whose bent bows softly meet,
And down among the wild weeds' musky glooms ---
Go the dreams that filled the pillows of the night;
Here a grey-eyed girl with citron-shaded hair,
Or a laughing love with one white shoulder bare;
Or a threat of hate with cruel lips shut tight;
From that shuttered house of loneliness and tears,
Where a woman lay at eve with empty arms,
Comes a little swaddled shape of dimpled charms,
A tender, coolng call the last star hears.
From the cottage where lean hunger stalks by day
Comes a dream of rich men's tables and of wine;
And round a barren door, a laden vine,
That Morn's first gilded gauntlet tears away;
From my window where the dull geranium grows
I heard my dream drop lightly to the blue;
It was silver Hope, with just one thought of you
To set upon its brow that velvet rose.

You thought it was the gurgling of the sea
By the black rat-riddled wharfing breaking free?
You thought it was the pressing of the tide
That strains the painter where the wherries ride?

But I knew!
For where day-caught dreams their rainbow colours keep.
Above, where yellowing awns have lost their dew,
With here a fleck of crimson, glimpse of blue,
I have seen the clinging robes of semite sweep;
And from that portal, dark beneath the moon,
By arch severe or doorstep white as milk,
'Twas strange to hear the rustling of silk,
And catch a sudden flash of scarlet sheen,
As stolidly he sleeps beside his spouse,
His mind presumably on stocks and shares;
Did Folly come and court him unawares,
Burgling her dream-way to his formal house?

And that grave prelate, from the pulpit's climb
Just a stone's throw along the tree-roofed track,
I heard the bells --- the capped fool making back,
And caught the jesting of the cheery mime;
While in the widowed chamber over there,
As, worn with weeping, closed his swollen eyes,
She lingered, cheating him with darling lies,
And binding his sick heart with her dead hair.

The schoolboy dreamed of armour on a field,
A doughty knight, a war horse sable skinned,
How with one stroke the foeman's ranks were thinned:
What clank. what rocking plumes his our walls yield!
The school girl, lily folded in her place,
Secure as dove within the sacred grove,
Majestic, saw some jet-locked lover move,
And read her future in a phantom face.

To all the flower-ringed walks were full of them;
And all the dusty way stirred to their feet:
One stooped to taste the breaths or jasmine's sweet,
Or brushed an aster with her garment's hem.
Down to the river, myriad-masked, they sweep,
Snow-breasted angel, form of lurking fear,
Frail fancy spectress, faces lost and dear,
From their long vigil in the world of sleep;
At noon they slumber in the heavy heat,
Beneath the black fumes of the factory's mouth,
Beneath the brown keels drifting to the south,
Or wide-winged shadows of the sailing fleet.

All day when red-forged sunrays scorch the banks,
And violet lights are sifted from the glare,
To where the rising shark makes globes or air,
Parting the levels of the water ranks --
There they lie waiting till the sunset's hand
Paints all the West and folds into the dark.
You heard a whispering by the green marge -- hark!
That was the dreams --- gone back from Pillow Land!

First published in The Sydney Mail, 17 January 1912

Author reference sites: Austlit, Australian Dictionary of Biography

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Day's Dream by Zora Cross

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Even so, I think, the day dreams, too,
As men, as nations, hour by living hour,
And in the happy turning of a flower,
A leaf, a bird-song, all her dreams come true.
For, as at dawn, she dabbles in her dew,
And in the blue noon, out from some green bower
Shakes her fair hair low down in a glad shower,
   Her eyes with visions flock and grow more blue.

She sees a rarer light than the brave sun;  
She glimpses magic blossoms large and white.
Dusk, like a black cloud, draws her prison bars.
She dies and fancies all is lost and done;
Then leaps her dream! The great moon takes the night,
Calm 'mid her cold incomparable stars.

First published in The Sydney Morning Herald, 10 January 1925

Author reference sites: Austlit, Australian Dictionary of Biography, Old Qld Poetry

See also.

Dreams by Victor J. Daley

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I have been dreaming all a summer day
Of rare and dainty poems I would write;
Love-lyrics delicate as lilac-scent,
Soft idylls wov'n of wind, and flow'r, and stream,
And songs and sonnets carven in fine gold.

The day is fading, and the dusk is cold;
Out of the skies has gone the opal gleam,
Out of my heart has passed the high intent
Into the shadow of the failing night --
Must all my dreams in darkness pass away?

I have been dreaming all a summer day
Shall I go dreaming so until Life's light
Fades in Death's dusk, and all my days are spent?
Ah, what am I the dreamer but a dream!
The day is fading, and the dusk is cold.

My songs and sonnets carven in fine gold
Have faded from me with the last day-beam
That purple lustre to the sea-line lent,
And flushed the clouds with rose and chrysolite;
So days and dreams in darkness pass away.

I have been dreaming all a summer day
Of songs and sonnets carven in fine gold;
But all my dreams in darkness pass away;
The day is fading, and the dusk is cold.

First published
in The Bulletin, 8 December 1883, and again in the same magazine on 9 July 1898, 1 February 1950 and 29 January 1980;
and later in
A Golden Shanty: Australian Stories and Sketches in Prose and Verse, 1890;
At Dawn and Dusk by Victor Daley, 1902;
The Golden Treasury of Australian Verse edited by Bertram Stevens, 1909;
An Australasian Anthology: Australian and New Zealand Poems edited by Percival Serle, R. H. Croll and Frank Wilmot, 1927;
From the Ballads to Brennan edited by T. Inglis Moore, 1964;
Silence in Song: An Anthology of Australian Verse edited by Clifford O'Brien, 1968;
The Penguin Book of Australian Verse edited by Harry Heseltine, 1972;
A Treasury of Colonial Poetry, 1982;
Early Verse of the Canberra Region: A Collection of Poetry, Verse and Doggerel from Newspaper, Other Publications and Private Sources edited by Lyall Gillespie, 1994;
Sunlines: An Anthology of Poetry to Celebrate Australia's Harmony in Diversity edited by Anne Fairbairn, 2002; and
The Penguin Anthology of Australian Poetry edited by John Kinsella, 2009.

Author reference sites: Austlit, Australian Dictionary of Biography, Australian Poetry Library

See also.

In a Far Country by Victor J. Daley

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Beyond the mountains blue,
   Banished from the sea
I dream old dreams anew,
And think, old friends, of you,
   In a Far Countree.

The wind that bends the trees
   Bears no breath of brine;
It has the sough of seas,
But 'tis not the brave salt breeze
   That I loved lang syne.

At times in the dark woods,
   When the stars are dim,
Its sound is like the rude
March of a multitude
   To a battle hymn.

Old friends, old comrades true,
   Whom I long to see,
In milk for mountain dew
I drink Was Hael to you,
   In a Far Countree.

First published in The Bulletin, 28 September 1905

Author reference sites: Austlit, Australian Dictionary of Biography, Australian Poetry Library

See also.

My Dream by Walter D. White

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Let me go out into the pathway of the sun;
Be upborne by the sweet incense of far hills
And the haunting melodies of wind in the trees;   
Dare the charging squadrons of the storm --
Pass, unchallenged, through moonlit towns at night --
Gaze, spellbound, at all the pomps of Dawn;
Press forward to the sunlit heights of Heaven.
On the wings of the wind I shall ride
Adown the corridors of space;  
Cross uncharted oceans to undiscovered lands
Where new suns rise in awful majesty;
Past whirling spheres to where lightnings flash
Like fiery streams and meteors crash 'gainst worlds
And rock the Universe
While unimagined thunders shake the firmament!
On, on, ever on! Questing the Happy Land!
So, through the endless vistas of the skies,
I shall glimpse the City of my Dreams --
The realm eternal, the blessed land,
Where dwell the Sons of God--
These live for evermore.

First published in The Sydney Morning Herald, 24 September 1932

Author: Walter David White (1857-1941) was born in Bristol, England, and arrived in Australia in 1884.  He worked on a number of newspapers in New South Wales, as well as in the State's public service.  He died in Roseville, New South Wales in 1941.

Author reference site: Austlit

See also.

My Queen of Dreams by Philip J. Holdsworth

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In the warm flushed heart of the rose-red West,
   When the great sun quivered and died to-day,
You pulsed, O star, by yon pine-clad crest --
   And throbbed till the bright eve ashened grey --
         Then I saw you swim
         By the shadowy rim
Where the grey gum dips to the western plain,
         And you rayed delight
         As you winged your flight
To the mystic spheres where your kinsmen reign!

O star, did you see her? My queen of dreams!
   Was it you that glimmered the night we strayed
A month ago by these scented streams?
   Half-checked by the litter the musk-buds made?
         Did you sleep or wake? --
         Ah, for Love's sweet sake
(Though the world should fail and the soft stars wane!)
         I shall dream delight
         Till our souls take flight
To the mystic spheres where your kinsmen reign!

First published in The Bulletin, 11 July 1885, and again in the same magazine on 13 June 1896 and 1 February 1902;
and later in
Australian Ballads and Rhymes: Poems Inspired by Life and Scenery in Australia and New Zealand edited by Douglas Sladen, 1888;
A Century of Australian Song edited by Douglas Sladen, 1888;
An Anthology of Australian Verse edited by Bertram Stevens, 1907; and
The Golden Treasury of Australian Verse edited by Bertram Stevens, 1909.

Author: Philip Joseph Holdsworth (1851-1902) was born and educated in Sydney.  He joined the State Treasury office in 1871, and continued in public service until 1893 when the Forestry Department, of which he was secretary, was abolished.  He was associated with Sydney literary circles for most of his adult life and was editor of the Illustrated Sydney News in the 1880s.  He died suddenly in Sydney in 1902.

Author reference sites: Austlit, Australian Dictionary of Biography

The Voice in the Native Oak by Henry Kendall

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Twelve years ago, when I could face
   High heaven's dome with different eyes --
In days full-flowered with hours of grace,
   And nights not sad with sighs --
I wrote a song in which I strove
   To shadow forth thy strain of woe,
Dark widowed sister of the grove! --
   Twelve wasted years ago.

But youth was then too young to find
   Those high authentic syllables,
Whose voice is like the wintering wind
   By sunless mountain fells;
Nor had I sinned and suffered then
   To that superlative degree
That I would rather seek, than men,
   Wild fellowship with thee!

But he who hears this autumn day
   Thy more than deep autumnal rhyme,
Is one whose hair was shot with grey
   By Grief instead of Time.
He has no need, like many a bard,
   To sing imaginary pain,
Because he bears, and finds it hard,
   The punishment of Cain.

No more he sees the affluence
   Which makes the heart of Nature glad;
For he has lost the fine, first sense
   Of Beauty that he had.
The old delight God's happy breeze
   Was wont to give, to Grief has grown;
And therefore, Niobe of trees,
   His song is like thine own!

But I, who am that perished soul,
   Have wasted so these powers of mine,
That I can never write that whole,
   Pure, perfect speech of thine.
Some lord of words august, supreme,
   The grave, grand melody demands;
The dark translation of thy theme
   I leave to other hands.

Yet here, where plovers nightly call
   Across dim, melancholy leas --
Where comes by whistling fen and fall
   The moan of far-off seas --
A grey, old Fancy often sits
   Beneath thy shade with tired wings,
And fills thy strong, strange rhyme by fits
   With awful utterings.

Then times there are when all the words
   Are like the sentences of one
Shut in by Fate from wind and birds
   And light of stars and sun,
No dazzling dryad, but a dark
   Dream-haunted spirit doomed to be
Imprisoned, crampt in bands of bark,
   For all eternity.

Yea, like the speech of one aghast
   At Immortality in chains,
What time the lordly storm rides past
   With flames and arrowy rains:
Some wan Tithonus of the wood,
   White with immeasurable years --
An awful ghost in solitude
   With moaning moors and meres.

And when high thunder smites the hill
   And hunts the wild dog to his den,
Thy cries, like maledictions, shrill
   And shriek from glen to glen,
As if a frightful memory whipped
   Thy soul for some infernal crime
That left it blasted, blind, and stript --
   A dread to Death and Time!

But when the fair-haired August dies,
   And flowers wax strong and beautiful,
Thy songs are stately harmonies
   By wood-lights green and cool --
Most like the voice of one who shows
   Through sufferings fierce, in fine relief,
A noble patience and repose --
   A dignity in grief.

But, ah! conceptions fade away,
   And still the life that lives in thee --
The soul of thy majestic lay --
   Remains a mystery!
And he must speak the speech divine --
   The language of the high-throned lords --
Who'd give that grand old theme of thine
   Its sense in faultless words.

By hollow lands and sea-tracts harsh,
   With ruin of the fourfold gale,
Where sighs the sedge and sobs the marsh,
   Still wail thy lonely wail;
And, year by year, one step will break
   The sleep of far hill-folded streams,
And seek, if only for thy sake
   Thy home of many dreams.

First published in The Australian Town & Country Journal, 4 July 1874, and again in the same newspaper on 12 August 1882;
and then later in
Songs from the Mountains by Henry Kendall, 1880;
Selected Poems of Henry Kendall edited by T. Inglis Moore, 1957;
The Poetical Works of Henry Kendall edited by Thomas Thornton Reed, 1966;
Henry Kendall: Poetry, Prose and Selected Correspondence edited by Michael Ackland, 1993.

Note: this poem is related to an earlier work titled "The Voice of the Native Oak" by Charles Harpur, 1851, which you can read here.
The poem by Kendall is also known by the title "The Voice of the Wild Oak".

Author reference sites: Austlit, Australian Dictionary of Biography, Australian Poetry Library

See also.

A Song for the Night by Daniel Henry Deniehy

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O the Night, the Night, the solemn Night,
   When Earth is bound with her silent zone,
And the spangled sky seems a temple wide,
   Where the star-tribes kneel at the Godhead's throne;
O the Night, the Night, the wizard Night,
   When the garish reign of day is o'er,
And the myriad barques of the dream-elves come
   In a brightsome fleet from Slumber's shore!
      O the Night for me,
      When blithe and free,
Go the zephyr-hounds on their airy chase;
      When the moon is high
      In the dewy sky,
And the air is sweet as a bride's embrace!

O the Night, the Night, the charming Night!
   From the fountain side in the myrtle shade,
All softly creep on the slumbrous air
   The waking notes of the serenade;
While bright eyes shine 'mid the lattice-vines,
   And white arms droop o'er the sculptured sills,
And accents fall to the knights below,
   Like the babblings soft of mountain rills.
      Love in their eyes,
      Love in their sighs,
Love in the heave of each lily-bright bosom;
      In words so clear,
      Lest the listening ear
And the waiting heart may lose them.

O the silent Night, when the student dreams
   Of kneeling crowds round a sage's tomb;
And the mother's eyes o'er the cradle rain
   Tears for her baby's fading bloom;
O the peaceful Night, when stilled and o'er
   Is the charger's tramp on the battle plain,
And the bugle's sound and the sabre's flash,
   While the moon looks sad over heaps of slain;
      And tears bespeak
      On the iron cheek
Of the sentinel lonely pacing,
      Thoughts which roll
      Through his fearless soul,
Day's sterner mood replacing.

O the sacred Night, when memory comes
   With an aspect mild and sweet to me,
But her tones are sad as a ballad air
   In childhood heard on a nurse's knee;
And round her throng fair forms long fled,
   With brows of snow and hair of gold,
And eyes with the light of summer skies,
   And lips that speak of the days of old.
      Wide is your flight,
      O spirits of Night,
By strath, and stream, and grove,
      But most in the gloom
      Of the Poet's room
Ye choose, fair ones, to rove.

First published in The Bulletin, 18 May 1895;
and later in
An Anthology of Australian Verse edited by Bertram Stevens, 1907; and
A Treasury of Colonial Poetry, 1982.

Author: Daniel Henry Deniehy (1828-1865) was born in Sydney, the son of parents who had both been transported convicts.  He studied law and was admitted as a solicitor in 1851.  He published his first literary work, a novelette, in 1845 and his love of literature and poetry continued to grow.  As did his interest in politics, which resulted in being elected to the NSW Parliament in 1857.  His parliamentary career was only short, ending in 1860, and Deniehy and his family moved to Melbourne in 1862 where he edited the Victorian.  After the failure of the paper in April 1864 he returned to Sydney but soon moved to Bathurst in an attempt to resurrect his legal practice. Deniehy died in Bathurst in 1865 after a fall in the street resulted in a major head injury. 

Author reference sites: Austlit, Australian Dictionary of Biography

Leave Me My Dreams by Gloria McQuade

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Leave me my dreams, lest when they fade I find
That life a wilderness before me lies,
An arid sun-seared land 'neath leaden skies,
Where all is anguish-wrung and desolate,
And from whose rock-strewn wastes the wind's wail tells
This is Despair's abode, here Hope ne'er dwells,
Which I must traverse, soul disconsolate,
Knowing my guardian Faith left far behind.
Leave me my dreams, that in my heart may ring
The exquisite strains of that celestial song,
Love's anthem, sung by all the angel throng,
Then though pale Grief walk with me many a mile
With doleful countenance and tear-stained cheek,
I know him not, but toward the rose-tipped peak
Of Heart's Desire go ever on, the while
My dreams remain fearing naught Time may bring.

First published in The Sydney Morning Herald, 25 March 1933

Author: nothing is known about the author of this poem.

To Sleep by E. B. Loughran

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O youth, dark, like thy brother Death,
   Yet to men welcome as the day,
Breathe o'er me with thy fragrant breath,
   And chase my saddening thoughts away.

Oh, take me in thy arms divine,
   And lead me where thou wouldst, O sleep;
For I am wholly, truly thine ---
   My gratitude to thee is deep.

For soon the east will bring the day,
   And when his heaven-lit lamp shall burn,
The cares thy magic sweeps away
   Will with his glow again return:

To me thy dark form is more fair
   Than ever fairest day can be;
For thy hand scatters far my care --
   And that is all-in-all to me.

I feel thy touch upon my brow.
   Soft as the hand of her I love;
I feel thy breath fall o'er me now,
   Like incense burnt by souls above.

I feel thy soothing, mystic power
   Through all my soften'd being thrill;
My cares are with a faded hour,
   I bend me freely to thy will.

Then welcome, welcome, balmy sleep,
   That call'st with silver voice to me;
Let men who will, wake, laugh, or weep ---
   I follow thee! I follow thee!

First published in The Queenslander, 20 March 1869

Author: Edward Booth Loughran (1850-1928) was born in Glasgow, Scotland, and arrived in Australia in 1866.  Loughran began working as a teacher before moving to The Argus as a Parliamentary reporter.   He died in Kyneton, Victoria, in 1928.

Author reference sites: Austlit

The Gate of Dreams by M. Burkinshaw (Mabel Forrest)

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Here I stand at the Gate of Dreams,
   With its stern black bars and its stubborn key,
While through the hinges' chink there gleams
   The golden light that is beckoning me.

All around is the lowering night,
   And my way is crossed by these iron bars,
And overhead is the line of light
   Of the Milky Way with its million stars.

The beaten paths are all left behind
   Where we have gained and have lost so much;
And only the Gate of Dreams I find,
   Which opens not to my eager touch.

Then pity me! as a soul who stands
   Shut out from sleep's tend'rest witchery,
Longing to see those slim young hands
   Open the Gate of Dreams to me!  

First published in The Queenslander, 19 February 1898

Author reference sites: Austlit, Australian Dictionary of Biography

See also.

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