Kate Grenville Interviews

| No TrackBacks
kate_grenville.jpg    As Kate Grenville's latest novel, Sarah Thornhill, is published in the UK, she is undertaking a ranging book tour of the UK and Ireland. She spoke to Stephanie Cross of "The Independent":

Opening in 1816 on New South Wales's Hawkesbury River, Sarah Thornhill picks up where The Secret River left off, and reunites readers with the Thornhill clan. The head of the family, a figure based on Grenville's own forebear, was a thief "sent out" from London to Australia, there becoming a successful farmer. The exact details of Grenville's ancestor's story are lost to history, but the fictional Thornhill is involved in the massacre of Aborigines.

For Grenville, the trilogy has been a very personal undertaking. "The Secret River began because, at the age of 50, I suddenly realised I knew nothing about how my own family had got its foothold in Australia," she explains.

And to Andrew Williams of the Metro website:

What is your new book, Sarah Thornhill, about?

It's set in colonial Australia and it's about a woman who discovers an ugly family secret concerning a massacre of aboriginal people and what she does about it.

You've written about this subject before - why are you interested in it?

When I was growing up we weren't taught these aspects of Australia's past - it was all about pioneer heroes. It's no good trying to ignore it - let's look at it and acknowledge the wrongs committed in the past. One well-documented case is the Waterloo Creek massacre in New South Wales in 1838, one of the very few cases that came to court. Perpetrators of massacres weren't often caught - and if they were, they were often let off. This massacre involved aboriginal women and children being chained neck-to-neck, taken up a hill and shot. Their bodies were burned. This aspect of our history needs to be acknowledged and my way of addressing it is by writing books.

Not everyone is so keen to acknowledge it, are they?

No. A little while ago, we had something called the 'history wars' in Australia, in which two schools of historians were at each others' throats - one group said aboriginal people died out due to measles. The problem with finding written evidence is it was in no one's interest to write: 'We went out and shot 12 aboriginal people today.' However, they did write things such as: 'We went out with our rifles and dispersed the natives.' The word 'dispersed' comes up again and again in the records and you can guess it probably meant we shot at them and shot some of them.

And also to Eileen Battersby of "The Irish Times":

The sparky, intelligent Grenville is direct and, though she remains on the polite side of blunt, a realist who speaks her mind. There is a likable energy about her and a curiosity about everything. Her daughter, Alice, has recently graduated from a combined arts and science degree - "Can you imagine? What a fabulous mixture of information" - and is currently minding baby sloths.

Grenville reads widely and carefully and misses little. "It's not easy being a writer, it's not easy being a woman writer and it's certainly not easy being an Australian woman writer." Her prose is deliberate and carefully weighted. She explains the difficulty of coming of age in Australia at a time when history had an official version that deleted many of the uglier facts. "We were horrified by the Nazis and by the Afrikaners, and yet we had our own crimes that we had not dealt with. And you have to remember that when I was young - I was born in 1950 - most Australians still regarded England as home. Imagine that: 'home' a place you had never been to. We were far closer to Asia than to Europe."

She took an arts degree at Sydney University and, true to the ritual adhered to by generations, set off for England, where she worked at a number of jobs, including film editing, and even developed a short-lived version of an English accent. But, as she says, "I am an Australian", and it seems she was fated to be a writer: her father had written three books in his retirement, and her mother provided a valuable legacy of stories, "stories that didn't always have all the facts, so I had to find them".
Australian, UK and US bookcovers:




SarahThornhill-aus-cover.jpg    SarahThornhill-uk-cover.jpg    SarahThornhill-us-cover.jpg

No TrackBacks

TrackBack URL: http://www.middlemiss.org/cgi-bin/movabletype/mt-tb.cgi/1547

Currently Reading

 
magicians.jpg

 The Magicians by Lev Grossman
Grossman's take on the "magician-in-training" fantasy sub-sub-genre. Starts off being rather derivative but slowly morphs into something very interesting.

 

 
years_locust.jpg

 The Years That the Locust Hath Eaten by Marjorie Quinn
The long-delayed publication of the memoirs of Sydney poet Marjorie Quinn. An intimate portrait of the Sydney literary scene between the wars and one woman's struggle for a literary life.

 

Recently Read

 
whispering_death.jpg

 Whispering Death by Garry Disher
Disher is back with another Hal Challis/Pensinsular Murder mystery. As good as ever but this time with more dead bodies, and an intelligent, elusive burglar.

 

 
the complaints.jpg

 The Complaints by Ian Rankin
Rankin's new crime series, following on from the very successful Rebus novels. As good as ever.

 

 
fry_chronicles.jpg

 The Fry Chronicles by Stephen Fry
Fry's second autobiographical volume of memoirs. The name-dropping is relentless, but we forgive everything to allow Fry to tell his story.

 

 
before_they_are_hanged.jpg

 Before They Are Hanged by Joe Abercrombie
The second book in the "First Law" series. Epic fantasy written to honour the honour and explore the standard fantasy tropes, as well as to poke more than a little fun at them at the same time. A big book, but still a page-turner.

 

 
how_it_feels.jpg

 How it Feels by Brendan Cowell
A debut novel from a multi-talented author/actor/director. A coming-of-age novel which might well be semi-autobiographical.

 

 
factotum_au.jpg

 Monster Blood Tattoo: Factotum by D. M. Cornish
The third book in the MBT series. Will we finally find out who Rossamund really is? And will we be sad to leave this fully-realised fantasy world? I suspect the answer will be "yes" to both.

 

rendezvous_kamakura_inn.jpg

 Rendezvous at Kamakura Inn by Marshall Browne
Browne's first novel in a new series, this time featuring a Japanese detective, Inspector Aoki. This novel finds the inspector investigating an old murder in a snowed-in remote Japanese retreat.

 

 
city_and_the_city.jpg

 The City & The City by China MiĆ©ville
MiƩville's Hugo Award winning novel of two cities inhabiting the same physical location. A murder mystery with hints of classic sf/fantasy memes, from Dick to Borges, but in a European setting.
gone_tomorrow.jpg

 Gone Tomorrow by Lee Child
The 13th Jack Reacher novel. Suicide bombers on the New York subway and international terrorism mixed with hard-boiled action makes for an interesting brew.

 

the_blade_itself.jpg

 The Blade Itself by Joe Abercrombie
Heroic fantasy in the modern style. A fantasy that is laced through with noirish elements, and excellent characterisations. First book of The First Law trilogy.
where_have_you_been.jpg

 Where Have You Been? by Wendy James
What happens when a sister returns after being missing, presumed dead, for twenty years? James enhances her reputation as one of Australia's rising literary novelists.

About this Entry

This page contains a single entry by Perry Middlemiss published on February 20, 2012 7:21 AM.

Poem: The First Great Australian Poet by Charles Harpur was the previous entry in this blog.

Australian Bookcovers #294 - Dark Palace by Frank Moorhouse is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Monthly Archives

Powered by Movable Type 4.23-en