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ButterFly Sonya Hartnett Penguin Books 2009 |
From the publisher's page
Here is Plum Coyle, on the threshold of adolescence, striving to be new. Her fourteenth birthday is approaching: her old life and her old body will fall away, and she will become graceful, powerful, at ease. The strength in the objects she stores in a briefcase under her bed -- a crystal lamb, a yoyo, an antique watch, a penny -- will make sure of it.ReviewsOver the next couple of weeks, Plum's life will change. Her beautiful neighbour Maureen will begin to show her how she might fly. The older brothers she adores -- the charismatic Justin, the enigmatic Cydar -- will court catastrophe in worlds that she barely knows exist. And her friends -- her worst enemies -- will tease and test, smelling weakness. They will try to lead her on and take her down.
Who ever forgets what happens when you're fourteen?
Sophie Masson in "The Australian":
The first novel of Sonya Hartnett's that I read was the haunting Wilful Blue (1994). Hartnett's lush yet fresh prose, spiced with gothic, her novel's combination of intense observation, sensual detail, pervasive melancholy, sensational events and characters with unusual, fin-de-race names, had for me more the feel of, say, American southern literature, or the work of writers such as Wilkie Collins, than what we were accustomed to in Australian literature... ...Hartnett's interest is in the way families work -- especially unhappy ones, of course, following Tolstoy's dictum -- and most especially in sibling relationships, whether it's the twisted sibling relations of Sleeping Dogs or Princes, or the more positive ones of Butterfly. The way in which family relations, especially between siblings, can alleviate or worsen the loneliness of the individual is important in most of her books, but especially so in this one.Owen Richardson in "The Age": "When Sonya Hartnett published Landscape with Animals under a pseudonym, it was for fear this novel might end up falling into the hands of her younger audience: it was definitely not a book for kids. This one isn't either but it's not R-rated, though illicit love is here, and teenage dread and cruelty, and the kinds of ghosts haunting the suburbs that perhaps can only be seen by adolescents, just as dogs can pick vampires...While Hartnett doesn't overcook the ordinary miseries of childhood, nor does she lacquer them and protect us with nostalgic humour, and even if you had nicer friends when you were 13, you'll squirm in recognition."
Anna Solding in "The Independent Weekly": "Hartnett has the kind of writing style that grows on you. At first I was wondering what all the fuss was about - she has been hailed as the 'finest writer of her generation' -- but then exquisite turns of phrase appear out of nowhere and begin to linger at the back of your mind."
Lavinia Greenlaw in "The Guardian": "Sonya Hartnett is an acclaimed author of young-adult fiction whose Thursday's Child won the 2002 Guardian children's fiction prize. Butterfly is billed as her first adult work, but could be just as happily read by someone of 13. While this breadth of tone is impressive, it leaves the book unsettled. Although full of insight and wit, it never quite takes shape."
Short Notices
Cultural Gal on the "MelbArts" weblog: "Hartnett's many skills are in full play in this beautifully crafted novel. There are secrets in this quiet suburban world, secrets the characters keep from each other for fear of losing everything they value most. These secrets fuel the momentum of the narrative that Hartnett so carefully builds, keeping the surprises coming."
Sarah on the "I loved it..." weblog: "How does Sonya Hartnett know me so well? I swear that she was watching me grow up and saw every excruciating moment of my adolescence. Admittedly it was the 80s and everything was cringeworthy! She manages to capture the universal aspects of growing up and all the self doubt and casual cruelty that is so much a part of life as a teenager. I think Hartnett is a revelation. I adore her writing in a way that defies description."
Karen on the Book Bath weblog: "In some ways this book is two or three stories within one - but you never feel as though too much has been taken on by the author. Hartnett balances the characters and the story lines beautifully. This book was not at all what I expected when I started reading it but once I accepted this I enjoyed the rather uneasy storyline."
Madeline Wheatley of The Book Bag weblog gave the novel 4.5 stars: "Award winning Australian author Sonya Hartnett writes powerful, disturbing tales. This is no exception. Some of the events in this novel are extreme, yet believable, largely because of the vividly realistic character of Plum."
I.E Sawmill on The Literateur website was put off by the cover at first: "The cover is actually quite an inoffensive combination of yellows and pinks with flowers trailed all around in an attractive pattern. I was still at this point fully in the bigoted stages of reviewing and could not help a Pavlovian response to such stimuli: Yellow + Pink + Floral Decoration = book aimed for a female audience. Dare one say, chick-lit. This seemed at odds with the jacket's alliterative promise of 'deceit', 'despair' and 'desperation'. Those three words, in conjunction with the title, implied a gritty account of 'coming of age'...The novel has moments of great comedy, insight and fine descriptive inventiveness. Overall, however, Butterfly is something of a moth to its own flame. The tone and pace do not quite justify the book's ricocheting from flippancy to po-faced truisms and, at times, it feels as if it has suffered for lack of editing. As it stands, Butterfly is not a great deal more than the sum of its parts. Those parts are enjoyable enough, but one suspects that Hartnett is capable of much, much better."
Interviews
Christopher Bantick in the "Courier-Mail".
Jo Case on the "Readings.com" website.
Sally Warhaft on "SlowTV".
Margaret Throsby on ABC Classic FM's "Life is Beautiful".
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