The Art of Book Reviewing

Most reviews in major newspapers and magazines get 1,000 words at most, and with such little space there's barely enough room to discuss a book's merits, let alone get into remarkably complex subjects like the psychology of writing. It's best just to leave that stuff out because all you'll be able to do is toss off half-assed thoughts that divert from the substance of the review: discussing the book under consideration. Who cares if it's less lively that way? That's not what book reviews are for.

Basically, if you want lively book talk, then you go to blogs. If you haven't noticed, we stock pretty well in half-assed thoughts, grandiose statements, and liveliness. Those are the sort of the things that we can get away with because this is a much more conversational, low-key medium. Book reviews are a very different entity, and I think some liveliness should be sacrificed in order to say something more well-argued.

- Scott Esposito, on his weblog Conversational Reading

Currently Reading

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State of Emergency by Sam Fisher
Cinematic, high-tech, futuristic rescue fiction. This might have started its own genre.

 

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Jasper Jones by Craig Silvey
A coming-of-age novel set in a small WA mining town in the 1960s. Ticks all the relevant boxes.

 

Recently Read

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Gentlemen of the Road by Michael Chabon
Chabon's homage to the adventure novel. Reminiscent of Moorcock and Leiber.

 

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Headlong by Susan Varga
When is life still worth living, or is it better to die with dignity?

 

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The Pages by Murray Bail
Bail's first novel since Eucalyptus, about an Outback genius philosopher - or is he? [Shortlisted for the 2009 Miles Franklin Award.]

About this Entry

This page contains a single entry by Perry Middlemiss published on August 29, 2005 2:16 PM.

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